The Central Illinois Feminist Film Festival at Eastern Illinois University is seeking entries. Deadline: March 1, 2014 Festival Dates: March... View Article
It’s always a collaboration between the director and me, and in the case of Concussion, Rose also had a lot of input on where there should be music. I’m also a big fan of using silence in a score. So I always give the film one or two viewings where I actually place silence where I think it should go. Silence can be powerful.
Chemistry, that ever-elusive quality between actors, becomes palpable between Louis-Dreyfus and Gandolfini. The wit and delightful awkwardness of Holofcener’s dialogue rolls out of their tongues with mesmerizing naturalness and we root for their love to succeed so we can watch them share the screen in another scene.
My media practice always begins with some tangible phenomena. For this reason, I prefer to use methods that allow me to reflect on the “real” while at the same time re-shaping it. Light-sensitive emulsion is my gateway to re-imagining and re-experiencing the physical world in a tactile and connected way even as digital processes engulf contemporary art and commerce with virtual disconnected ease.
Written by Arielle Max Davidsohn Developmental Editing, Copy Editing, and Posting by Alexandra Hidalgo My co-writer Zack Drisko and I... View Article
Ginger and Rosa begins quietly, focused on a grainy, color-saturated image of the most horrifying thing in the world: an atom bomb exploding. Ginger (Elle Fanning) and Rosa (Alice Englert) are born on the day the bomb drops on Hiroshima in 1945, their lives forever entwined in a frenzy of discovery for better or for worse.
agnès films is proud to announce our new venture in supporting women filmmakers. We will be featuring reviews of films,... View Article
While I was slightly wary of the wisdom of casting Barbara Sukowa as Arendt, I believed the actor and the director would do justice to their subject, but after watching the film I remained disappointed and unconvinced.
Reviewed by Moira Sullivan Developmental Editing, Copy Editing, and Posting by Alexandra Hidalgo This critical piece on the film is... View Article
Reviewed by Alexandra Hidalgo Developmental Editing and Copy Editing by Nathaniel Bowler Posting by Alexandra Hidalgo Stories We Tell (2012). USA, 108 minutes.... View Article
LOS ANGELES, CA, September 17, 2013 – The American Film Institute’s “almanac” of the year’s most outstanding achievements in film... View Article
Haifa al-Mansour is interviewed by The Telegraph about her trajectory as a filmmaker in Saudi Arabia’s repressive environment and about... View Article